As you can see in the reference monitor there is a lot going on just above the middle. If correctly you should have a difference in the YC Waveform if you enable or disable the Colorista II effect. Now for the Highlights do the same but drag the white slider up till to top of YC waveform is hitting his max and clipping. If you push it over the line the shadows will be completely black en Buy Cialis you will miss the detail in it. So what to do with these round thingies? We start with setting the Shadows based on the reference monitor.ĭrag the white slider down until you see the shadows in the reference monitor hitting the bottom (0.3 line). Drag your Colorista II effect on the video and open de Primary 3-way. Setting the Midtones is more on your feeling.īasically we will grade this footage on the YC Waveform (the Blue one in the reference monitor). The big question is can you trust on this monitors blindly? I do say yes if it comes to the Shadows and the Highlights. This is your guidance in the color correction.
Once done, You should have screen like this:Īt the right bottom you should have the reference monitor. I always prefer to switch to the Color Correction view (at the top right screen) Premiere has different views for editing and Color correction. In this article we will be using Colorista II.Īfter you have editing the complete video it’s time to start with last step of your video and get the maximum out of it. Otherwise you can use the Fast Color Corrector from Premiere as well. If you have The Magic Bullet Suite you could use the build in Colorista 3-way. Correct all your footage at the Shadows, Midtones and Highlights Let’s correct our footage to its maximum potential. The way I prefer to work is first to color grade every single clip with Colorista and then add an adjustment layer above it to set the general style of it.įirst things first.
The main idea to get an overall style to your complete video.
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